How To Dye Your Own Fabrics – Why I Dye

Why Do I Dye?

I have been teaching machine sewing for over twelve years and have been dyeing my own fabrics for most of that time, both for my students and for my own creations.

Margo_bookshelflarge-200

My nearest, decent, fabric shop is an hour’s train ride away. They sell a wide selection of plain and printed fabrics in most of the well-known ranges, but often I cannot find exactly what I want. This is no reflection on the shop, but since I have discovered fabric dyeing, shop-bought fabrics seem pale and uninteresting. They just cannot deliver the zing that my home-produced, procion-dyed fabrics can.

The variety and intensity of the coloured fabrics you can produce are entirely under your control.

Wall hanging for the local Brickworks Museum shop

Wall hanging for the local Brickworks Museum shop

A Whole New World of Colour

When you visit a fabric shop, or even buy on-line, your choice is limited to whatever is on offer. But once you get the hang of dyeing, you can create whatever colour you want and even a good many that you didn’t want – at first…

One of the most exciting things about dyeing is the element of surprise. When you’re not in need of any particular colour and you just allow yourself to experiment, you will be amazed at what you can come up with. Some pieces you may not like at all, but you can change them. If you’re using a good quality fabric – and we’ll get to that in a minute – you can overdye any that are not quite your thing, until they’re just right.

A Safe and Easy Process

Dyeing is not difficult. There are chemicals involved, and a fair amount of mess, but with a bit of care and attention to detail, home dyeing is easily achievable by almost anyone. Very little specialist equipment is required and you probably have most of the general equipment already. Anything you don’t have can usually be picked up cheaply at a supermarket or discount store.

Economy

Commercially-dyed and printed fabrics are expensive and, as long as labour prices in the Far East continue to rise, the price will keep on rising. High quality mercerized cotton fabric, ready prepared for dyeing and printing (PFD), if you buy it in lengths of at least 10 yards (or metres), can work out at less than half the price, per metre, than commercial fabrics. And it is usually 60” wide; instead of the traditional 45” width of those you buy.

I buy my dyeing fabric, in 60m bolts, from a former mill town in the North of England. I am not under any misapprehension that it is woven there any longer, but it is heartening to be able to buy it in the same country!

Initial outlay for dyes and chemicals, can be quite expensive, but you need only three basic primary colours to begin with, and black. I say begin with, but I have been dyeing for over five years now and still only buy basic primaries and black. I may buy a different shade of primary occasionally to mix things up a bit, but I still prefer to experiment with mixing my own colours rather than buy ready-mixed.

The Procion dyes I buy are very economical and a little goes a long way, as you will find when you start to clean up after a dye session.

All the other equipment you will need is cheap and readily available, if indeed, you don’t have it already.

So give dyeing a go – you’ll love it!

This post is an excerpt from my new eBook ‘How to Dye Your Own Fabric’. If you’d like to get the book for yourself I’ve given you the link below:

http://www.amazon.com/How-Dye-Your-Own-Fabric-ebook/dp/B00K5VCUAW/ref=sr_1_6?s=digital-text&ie=UTF8&qid=1399575598&sr=1-6&keywords=dyeing+fabric

 

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How to Get Started in Machine Embroidery – What threads to Use

On some of the sewing and embroidery pages I follow, there have recently been questions and comments on the best thread to use for machine embroidery.

Those of us who sew a lot probably have lots of conflicting opinions on this but, just for the record – here’s mine!

The Importance of Good Thread

Thread is very important. It’s particularly important in free-machine embroidery. When you’re moving that fast, and once you get the hang of it you will be going pretty fast, the thread will reeling out very quickly and the least little problem with the thread, is going to cause it to break. And that’s a real pain. So if you’re going to buy thread for machine embroidery, make sure it’s the best you can afford.

Use Good Threads

Use Good Threads

What Not to Use

Your Sewing Box Inheritance

Lots of us have been left sewing boxes by aunties or grandmas. We have become known as the stitcher in the family and they very kindly leave us their sewing box. It’s usually quite old, lots of reels of threads, bits and pieces, some useful, some not so. The trouble is with old threads is they tend to become flattened on the reel and, if you use them on your machine, they’re not going to run very smoothly. The quality is not going to match that of modern threads and they are likely to snap. So I would suggest that you keep these old threads for hand sewing. As you can imagine, I’ve upset a few people by telling them this. Being left something as personal as a sewing box can be very meaningful and hold lots of memories but, unlike antique furniture, wine and paintings, thread does not improve with age. So be kind to yourself and your machine and use a good modern thread.

Threads from Auction Sites

You’ve probably been on some popular auction sites and seen machine embroidery ‘silk’ from Thailand or somewhere in the Far East. It’s usually very cheap. But there’s a reason for that. I’ve tried them myself, from several different vendors, but at anything other than a snail’s pace, they snap, shred and leave you thoroughly fed up. It’s really not worth it, save yourself the pain and get something decent.

three threads

Bargain Basement

Buying bargain threads from markets, car boot sales, the post office (unless it is also a haberdashery as my local one is) or the corner shop is also a potential road to disaster. Remember at all times, they’re cheap for a reason. And the way to tell if a thread is really no good is to unwind a short length from the reel, hold it up to the light and, if it’s a bit fluffy or hairy, reject it as that fluff is going to clog up your needle and ultimately, your machine.

Types of Threads

Threads are gauged generally by their thickness. Some manufacturers (I use Madeira but there are many other good brands) indicate thickness by numbers. The higher the number – the thinner the thread. The profile of the thread is also important. Now the profile of a thread can be seen if you snip a bit off the end and look at the thread end on. Standard all purpose polyester threads have a round profile. They generally have a have a dull appearance, on the reel, as when light hits them it is scattered in all directions and very little is reflected back to your eye. Rayon machine embroidery thread has a flat profile and so reflects a lot of light back to your eye, making it look shiny.
Obviously even the best threads will shred or snap occasionally but you can lessen the chances of that happening by buying something good.

So What Threads Do I Recommend?

All I ever use is three types:
• a standard all purpose polyester for general sewing and for bobbin filling when machine embroidering.
• a good quality rayon thread for embroidery.
• a 100% cotton quilting thread for embroidering on quilts and throws.

This is an excerpt from my craft eBook ‘How to Make a Living From Crafts’. If you’re interested in getting the whole book, here’s the link:

http://www.amazon.com/How-Get-Started-Free-Machine-Embroidery-ebook/dp/B00HHCTPW8/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1393270037&sr=1-1&keywords=free+machine+embroidery

How to Get Started in Machine Embroidery – Getting Wound up

In a recent post I talked about the best type of bobbin arrangement for machine embroidery. Today, I’d like to talk about the bobbins themselves.

Getting Wound Up

The thing about bobbins is that they must be correctly wound. A bobbin that is not correctly wound will cause you no end of problems.

So how can you tell whether it’s wound correctly?

First of all you will have read your sewing machine instruction manual to make sure that you’ve threaded it right for bobbin winding. You must wind enough thread onto the bobbin; too little and the wind will be too loose causing slippage on the reel and a poor stitch construction, too much and the bobbin will not run freely in the case causing tension problems.

Bobbin winding on a Bernina 230

Bobbin winding on a Bernina 230

So how do you know its wound properly? The depth of the thread should be even from the top to the bottom of the bobbin and not bunched up at either extremity. There should be no ends or loops of threads poking out and it should look completely smooth. If that’s the way yours looks, you’re doing it right.

Correctly Wound Bobbin

Correctly Wound Bobbin

But if it looks like the one below, there is something wrong.

Incorrectly Wound Bobbin

Incorrectly Wound Bobbin

If your bobbin doesn’t look quite right, don’t just tell yourself ‘It’ll be OK’, because it won’t. You’ll suffer thread breakages, you’ll risk a bird’s nest of threads under your needle plate and it will all be a pain and may put you off before you’ve even got started. It really is worth getting this bit right.

The other really important thing is, and this causes a myriad of problems, is bobbin threading. Now in most drop-in bobbin machines, the threading is similar, it’s easy to do and there are even a few little arrows to help you. Some even cut the thread off for you and automatically bring it to the top of the needle bed when you start sewing. But you must make sure that the bobbin is in the right way round or there will be no tension on the bobbin thread. This may cause poor stitch construction and thread or even needle breakage. Take time to check.

Fixed drop-in Bobbin Threading

Fixed drop-in Bobbin Threading

The same is true of vertically mounted bobbins, they must be properly threaded. There are no arrows to help you here but it will all be in your instruction manual. Please take time to check.

Bobbin Case from front

Bobbin Case from front

On a final note, if you have one of the bobbin cases that has a separate little lug specifically for free-machine embroidery, please use it, despite its small and insignificant appearance, it will make a huge difference to your bobbin tension.

Bobbin Case with Lug Threaded for Machine Embroidery

Bobbin Case with Lug Threaded for Machine Embroidery

This post is an excerpt from my craft eBook ‘How to Get Started in Free Machine Embroidery’ If your interested in getting a copy, here’s the link:

http://www.amazon.com/How-Get-Started-Free-Machine-Embroidery-ebook/dp/B00HHCTPW8/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1392985700&sr=1-1&keywords=free+machine+embroidery

How to Get Started in Free-Machine Embroidery – Laundry Bag Project

In this post I’d like to share one of my favorite projects with you – a stylish and useful laundry bag. This project is great for practicing applique and free machine embroidery and, if you customize it with your family’s names – you might even get them to put their laundry in it!

Laundry bag1

Make this fun laundry bag in any colour or size you want. If you want to make one for everyone in the family, why not personalise it with their names?

Washday Laundry Bag

 You Will Need

1/2m strong cotton fabric

Fabric scraps for washing appliqué

Fusible web for washing appliqué

Machine embroidery and polyester thread in black

2m cotton cord

Embroidery hoop

Hand-Dyed Fabrics

A range of hand-dyed cotton fabrics are available from www.time4me-workshops.co.uk/shop.

Machine Setup

All seam allowances are 1/2” (1.25 cm) unless stated otherwise.

A 2.5mm stitch length is used throughout except for the addition of appliqué images.

A standard zigzag foot is used throughout unless otherwise stated.

To Make Your Laundry Bag

Cut Your Pattern Pieces

1        From the cotton fabric, cut 2 x rectangles 19” (48cm) x 16” (41cm).

2       From the remaining cotton fabric, cut 2 x strips 2” x 20”.

Appliqué your Front Panel

3       Choose one of the rectangles to be the front panel and lay it on a flat surface with one of the shortest edges at the bottom.

4       Measure 8” from the bottom edge of each long (19”) side and mark these points.

Marking position of washing line

5       Using a dressmaker’s curve or curved ruler and some tailor’s chalk, draw a curved line between these points. This will be the position of the washing line.

6       On the paper side of your fusible web, draw an assortment of clothing or soft toys you might find on your washing line. These do not have to be artistically correct – have fun!

7        Roughly cut out each shape.

Note: If the recipient has a favorite toy, pyjamas or t-shirt, you could make one, or two, of the pieces a similar shape and color.

8       Choose the colors of your washing items from your fabric scraps and iron each piece.

9       Referring to the instructions for the brand of fusible web you are using, fuse each clothing shape onto the wrong side of your chosen fabrics and carefully cut out.

10   Arrange your washing with the top edges just slightly below the curved line until you are happy with it.

Placing washing items on line

11     Fuse in place.

12    Refer to your machine instruction manual and set your machine up for machine embroidery, fit an embroidery or darning foot and thread the top with black embroidery thread and the bobbin with black polyester thread.

13    Hoop your fabric, so a number of complete washing items are encircled (this will depend on the size of your hoop). Ensure your appliqué is on the recessed side of the hoop.

Hooping the washing items ready to embroider

14   Embroider around each article of clothing, adding details as required.

Embroidering washing items

15    Add pegs to each clothing item or toy.

16   Refer to your instruction manual and set your sewing machine for normal stitching. Fit a standard straight stitch/zigzag foot to your machine and using a 3mm length straight stitch, stitch several times over the line marked earlier for the position of the washing line.

Add your Writing

17    Using a ruler and tailor’s chalk, draw a straight line connecting the two ends of the washing line.

18   Mark the central point of the line and from this point, draw a box 7” x 3”, so the bottom 7” edge of the box rests on the line. Your embroidered word, whatever you have chosen, should fit inside this box, but if you are using a longer name or several words you may need to increase the size of the box accordingly (and the size of your hoop!).

Marking position of writing box on laundry bag

19   Now, on a sheet of paper, draw out the 7” x 3” box and write the word you are intending to embroider inside in a neat copperplate. Try to ensure there is an equal amount of space above and below the word.

20  Once you are happy with your word, trace over it a number of times with your finger as described in the previous section.

21    Place your front panel in the hoop, centralising the box as accurately as possible.

22   Set your machine for free machine embroidery as before, and embroider your word. Don’t worry if you go off a little here and there, this will only add a little homemade charm!

Embroidered Laundry bag word

Assemble your Laundry Bag

23   Place the bag front and back panels right sides together and pin round the two sides and the bottom.

24  Set your sewing machine for a 2.5mm straight stitch and stitch round the three sides.

25   Diagonally clip the two bottom corners.

26  Press open the side seams.

27   Turn over ¼” all round the top of the bag and press.

28  Turn over another ¾” and press again.

29  Place some pins at 90 degrees around the top of the bag and stitch close to the lower fold. Turn the bag right way out, pushing out the corners.

30  Now stitch together the two 2” strips along one of their short ends and press the seam open. Trim the length of the strip to 32”. This strip will be your cord casing.

31    Turn in ½” on each short edge of the strip and press.

32   Turn in ¼” on each long edge of the strip and press.

33   Using tailor’s chalk, mark a line 2” below the top edge, all the way round the bag.

34  Starting at the right hand side seam (with the front panel facing you) pin the pressed strip, with the raw edges facing the bag, all round the bag, finishing back at the side seam. Try and place the seam, in the pressed strip, at the rear of the bag.

Placing of cord casing on laundry bag

35   Stitch all round both long edges of the cord casing about 1/8” from the edge, working a few reverse stitches at the beginning and end of each seam to secure.

36  Apply a piece of sticky tape to each end of your cotton cord to prevent fraying while threading it through the casing.

37   Using a large safety pin, fastened to one end of the cord, thread it through the casing and knot the ends together securely. Remove the tape as fraying is limited by the position of the knot.

The bag looks better filled, so get your family to fill it with their laundry!

This project is from my eBook ‘How to Get Started in Machine Embroidery’. If you’d like to buy the book, which has all the instructions you’ll ever need for free machine embroidery as well as more projects and ideas, Here’s the link:

http://www.amazon.com/How-Get-Started-Free-Machine-Embroidery-ebook/dp/B00HHCTPW8/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1392897303&sr=1-1&keywords=how+to+get+started+in+free-machine+embroidery

How to get Started in Machine Embroidery – Part 2

So now you’ve got some thoughts on the sort of machine you’ll need for free-machine embroidery, let’s look at some specifics.

As far as I’m concerned, the most important thing to think about is bobbins. The sort of bobbin arrangement in your sewing machine can make all the difference between success and ‘could be better’.

Vertically-Loaded Bobbin Cases

The most important thing to consider when it comes to bobbins is the bobbin case.
Machines with vertically loaded bobbins have removable bobbin cases and, in my opinion, this is best for free-machine embroidery.

Vertically-loaded Bobbin

Vertically-loaded Bobbin

If you can get a machine with a vertically- mounted removable case, it will make your life so much easier when it comes to free-machine embroidery. It’s important to have adjustable bobbin tension as well. On a removable bobbin case, this is done by a single screw on the side of the case.

Bobbin Case

Bobbin Case

It’s very easy to adjust but never adjust it by more than a quarter of a turn at a time or you will end up over-tightening or losing the screw. With fixed, drop in bobbin cases, the bobbin case has to come out and there are two screws to adjust.

Fixed Drop-in Bobbin Cases

With fixed, drop in bobbin cases, the bobbin case has to come out and there are two screws to adjust.

Fixed drop-in Bobbin

Fixed drop-in Bobbin

I’ve tried this on several of my customers’ machines and found it quite a pain. So, if you have a choice, go for the vertically loaded bobbin option.

Types of Bobbin Spool
Different types of machine take different types of bobbin spool. Usually, the drop-in type takes plastic spools. There is absolutely nothing wrong with these although they are obviously not as strong as the metal ones. Recently several base model machines have come onto the market with plastic, drop in bobbin facility and these are adequate for starting off in free-machine embroidery. Ultimately, it is up to you to try several machines for their free-machine embroidery capabilities and buy the one that suits your needs the best.

My old Bernina uses metal bobbins. I like these for their durability and ease of winding, but that’s just personal choice.

Steel Bobbin

Steel Bobbin

Bobbins, of course, need to be wound correctly for any sort of sewing to be successful. See my next post for details!

This post gives you a flavor of my eBook ‘How to Get Started in Free-Machine Embroidery’. If you’d like to purchase the book in full, I’ve given you the link below!

http://www.amazon.com/How-Get-Started-Free-Machine-Embroidery-ebook/dp/B00HHCTPW8/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1392652355&sr=1-1&keywords=free+machine+embroidery

Motivating the Sewing Muscle

Hands up. I confess I’ve been a little lax in the blogosphere lately, what with moving in and out of artist’s studios and deciding what direction my life should travel in next!

But I am back in my lovely home studio again, taking a little time to re-adjust and get my stuff just how I like it. Isn’t it funny how some time away makes you appreciate your space even more!

Anyway, I haven’t been entirely idle over the past few months. Didn’t sell much at my expensive artist’s studio but did make this commissioned cushion for a lovely lady who was going to give it as a birthday gift to her elderly father.

First of all, here’s the photo she gave me:

White house and boat picture

And here’s the resulting cushion… her father loved it!

White house and boat cushion

Of course, Salisbury is a lovely Medieval market town whose fabulous cathedral has the tallest spire in England. So I couldn’t be there for even a short time without making something inspired by the lovely architecture.

Salisbury Cathedral

This is still in unfinished panel form (which is about as far as a lot of my work gets!) but I am determined to turn it into a finished wall hanging to remind me of my time in Salisbury.

So I’m back and will be working my little socks off and hopefully sharing the results with you along the way.

New Year, New Cushion!

As a brit, born and bred, I love heraldry. The pomp, the colours, the designs. So after a few visits to Salisbury cathedral and a few books from the library exalting the beauty of Minton Gothic revival tiles (the copies of which can be seen on the floor of the Cathedral Chapter house where the Magna Carta is on display), I just had to make a few cushions.

When I have a fabric dyeing session, there are, for some reason, always a lot of golds, oranges and yellows which I don’t always know what to do with. Here was the answer.

I am also very fond of the rusty wine red colour obtained by mixing 85% red, 10% yellow and 5% blue procion dye in solution.

So after much printing, photocopy enlarging and cutting out of lion fur shapes, not to forget of course a flurry of free embroidery, here are the results.

Should I have a fanfare here? Imagine that!

Set of two Heraldic Lion Cushions

Set of two Heraldic Lion Cushions

The cushions are edged with a diagonally striped piping cord which I made by sewing together loads of 1″ wide strips and then cutting them into bias strips, joining them keeping the pattern straight and making them into piping. If you do this, make enough for several cushions as it’s a pain!!

There are hundreds of heraldry images out there and I’m planning to use them in fabric and glass. Oh you can see my heraldic glass efforts at glassjourney.wordpress.com .

Thanks for reading.